These are the same three poses I drew several days ago out of the Famous Artist Cartoon Course Lesson 7 Drawing Pretty Girls but now with clothing on the figures. The same principals of the shift in weight affecting the angle of the shoulders and hips still applies.
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Drawing Pretty Girls Day 43
Posted by Sam Kressin in Drawing Pretty Girls
Drawing Pretty Girls Day 41
Posted by Sam Kressin in Drawing Pretty Girls
Still working through lesson 7 of the Famous Artist Cartoon Course these studies are still looking at the Pretty Girl in Action. The first is a nude study of a woman running followed a clothed woman running.
Drawing Pretty Girls Day 40
Posted by Sam Kressin in Drawing Pretty Girls
Todays Drawing Study still comes from the Famous Artist Cartoon Course Lesson 7 Drawing Pretty Girls. Again we are looking at first posing the figure and how the shifting of weight affects the angle of the hips and shoulders.
Drawing Pretty Girls Day 39
Posted by Sam Kressin in Drawing Pretty Girls
This is another study from the Famous Artist Cartoon Course Lesson 7 Drawing Pretty Girls. In these studies we are looking at shifting the weight of the figure and how it dictates the direction and angle of the hips and shoulders.
Drawing Pretty Girls Day 38
Posted by Sam Kressin in Drawing Pretty Girls
In this Study I am still working through the “Pretty Girls In Action” section of Lesson 7 of the Famous Artist Cartoon Course. The purpose of this exercise is to draw the same woman from both sides.
Drawing Pretty Girls Day 36
Posted by Sam Kressin in Drawing Pretty Girls
These are studies I did out of the Famous Artist Cartoon Course Lesson 7 Drawing Pretty Girls. These are studies of a Woman fixing her hair.
Drawing Pretty Girls Day 27
Posted by Sam Kressin in Drawing Pretty Girls
“The man on the street will never know how much lies behind your simple girls drawing.” This is a drawing Study I did from the Famous Artist Cartoon Course Lesson 7 “Drawing Pretty Girls.” The purpose of this study is to pose the figure with the correct tilt of the shoulder and hips. If the right shoulder is down the right hip will be up as long as the figure’s weight is center on the right foot.
Drawing Pretty Girls Day 7
Posted by Sam Kressin in Drawing and Illustration, Drawing Pretty Girls, Pencil Drawings
Read Day 1 Here, Day 2 Here, Day 3 Here, Day 4 Here
According to the Famous Artist Cartoon Course Lesson 7 “The most successful method for drawing appealing babes is to pencil in the compete figure in the desired pose before attempting to clothe it. Clothes won’t hide a poor drawing of the figure underneath them.”
Todays drawing is a free hand recreation of Joe King’s illustration of a girl in a bikini signaling the reader or student to turn to the next page.
Drawing Pretty Girls Day 5
Posted by Sam Kressin in Drawing and Illustration, Drawing Pretty Girls, Pencil Drawings, Uncategorized
Read Day 1 Here, Day 2 Here, Day 3 Here, Day 4 Here
Today we learn about the “Four essential parts to a sexy girl” according to the Famous Artist Cartoon Course Lesson 7. Below is the drawing I did from this lesson. It is a free hand recreation of the illustration by Joe King. Each one the four circles in the drawing are suppose to be one of the “four essential parts.” They are listed in the course as 1. The Face 2. The Breasts 3. The Hips and 4. The Legs.
Drawing Pretty Girls Day 4
Posted by Sam Kressin in Drawing and Illustration, Drawing Pretty Girls, Pencil Drawings, Personal Journal, Sketch Book
Read Day 1 Here, Day 2 Here, Day 3 Here, Day 4 Here
Today is “The Cartoon Girl Based On Life.”
Todays lesson comes from Famous Artists Courses Lesson 7. This is to teach the artist the difference between drawing the “cartoon girl” and a “real girl.” In the first illustration I was suppose to draw a layin of the figure with the black area’s indicating the figure of the actualy model. It is an exercise in where to change your drawing from life to make an appealing cartoon girl. The second drawing is a fully finished cartoon girl based on the same pose. Both drawings I did are free had recreations of the drawing in the course by Joe King.
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